F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a 17.7 cm x 27.8 cm watercolour of two Indigenous Australian men hunting emus, with one man about to throw a spear using a woomera, or spear thrower. The birds are grazing on a grassy plain in the middle distance to the right of the picture, and the men are screened from them by large rocks and scrub. In the distance ...
This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. The man is shown from the waist up, standing with his back to the viewer and his head turned to the right-hand side. The man's facial features are exaggerated and his back ...
This is a 17.7 cm x 27.7 cm watercolour showing an Indigenous Australian man holding a shield in front of himself, with fallen spears at his feet, as he faces a group of 14 men. Some are holding spears, apparently watching and waiting, while one is about to throw his spear at the man with the shield. Another group of 11 ...
This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...
This is a watercolour, measuring 27.8 cm x 17.7 cm, created by Joseph Lycett in about 1817. It features an Indigenous Australian man about 2 m up the trunk of a eucalypt tree, with his feet and one hand in notches on the trunk. He is holding a small axe in the other hand, ready to cut another notch, apparently being directed ...
This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Ourou-mare, said to be of the Gwea-gal tribe, and known to the British settlers as 'Bulldog'. He has short, curly hair and a ...
This is a 17.7 cm x 27.7 cm watercolour of a hunter poised to throw a spear at one of a number of kangaroos; he is lying on his front behind a fallen tree, his head and chest raised and his right arm stretching back ready to throw the spear from a spear thrower. Four other hunters wait behind trees in the distance with ...
This is an engraving made by James Neagle in England in 1798. It features an oval portrait of Bennelong wearing a ruffled shirt, waistcoat and frockcoat. A number of Indigenous Australian weapons are depicted in a formal arrangement behind the portrait; these include two shields, a woomera (spear thrower), a hafted axe ...
Investigate Richard O'Connor's role in the move towards Federation. Examine two different types of biographies of O'Connor: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
This is an edited sound recording of an interview with Western Australian Aboriginal educator and author May O'Brien. O'Brien says that in her early life she was told Aboriginal stories orally and in drawings in the sand. She says that when she puts Aboriginal stories in writing, she thinks carefully about the words she ...
This is a watercolour by Duncan Cooper that depicts the poultry house at Challicum, a sheep run west of Ballarat in western Victoria. Two of the Djapwurrong people (the Indigenous inhabitants of this region) are shown sitting by a smoking fire next to a temporary bark shelter. Various chickens are also shown pecking in ...
This is a black-and-white print of a drawing made by the French artist Nicolas-Martin Petit on Bruny Island, off south-east Van Diemen's Land (Tasmania), on 31 January 1802. It is a portrait of a young woman, Arra-Maida. She has short, woolly hair and is wearing an animal-skin garment that hangs over one shoulder, but ...
This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...
This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...
This is a 17.7 cm x 27.7 cm watercolour showing Indigenous Australian men at a moonlit, night-time corroboree around a central fire in a bush clearing. Five men are dancing in a line on one side of the fire, while another six men stand on the other side, all painted with white ochre ceremonial markings on their legs, arms ...
This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...
This is a hand-coloured lithograph made in 1847 by James William Giles (1801-70) from a watercolour by George French Angas (1822-86), measuring 35.8 cm x 53.2 cm. It depicts a group of five Indigenous Australian men and a boy holding a spear on the beach at Rapid Bay, South Australia. They are sitting and lying in front ...
This pen-and-wash sketch, dated 24 May 1863, shows the distribution of blankets to Indigenous men and women in Brisbane, Queensland. A group of Indigenous people, mostly men, are waiting in line or sitting off to the side as police distribute blankets in front of the Police Magistrate's Court. There appear to be two mounted ...
This is an edited sound recording of a Northern Territory politician, Marion Scrymgour, talking in July 2008 about representing the views of Indigenous men after she became the first Indigenous woman to be elected to the NT Legislative Assembly in 2001. Scrymgour says that she seeks to empower Indigenous men to take responsibility ...
This is a watercolour, measuring 17.5 cm x 27.8 cm, created by Joseph Lycett in about 1817. It depicts Indigenous Australians using fire to flush out kangaroos in order to hunt them. One man is ready to throw a spear using a woomera (spear thrower) and another has his arm raised to throw a boomerang. In the background, ...